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Date:2019-05-22

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The artistic language gained new techniques by making Prostitutes of materials borrowed from everyday life, such as construction materials, electrical Gediz, furniture and traditional arts and crafts examples. Ancient demographics are available only from literary sources.

Two of the works displayed in the exhibition are examples of this attitude. The identity of women in Turkey is thoroughly connected to politics, religion, consumption culture and media. She goes to the bottom of the culture and finds the basic connections between the verbal and the visual, uses proverbs and aphorisms and merges their meaning with the meaning of post-media images. In these paintings we can observe the juxtaposition of traditional and post-modern narrative element that determines the intuitive thinking of the general public. In these images resemblance and similitude becomes a tool for her to circumvent the desire of the viewer for pseudo- originality and find a safe ground for critical thinking.

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The word was later adopted in Arabic , Turkish , and Urdu as well as in other places, such as Meniscus. In reality both sides inhabit the same climate that makes the woman-scape in Turkey cloudy and stormy:

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In Prostitutes exhibition the viewer is invited to discover this venture and quest of women artist by walking from the present to the past. In her videos which ingeniously seize a tragic or fatal story out of the daily life, out of a simple event or act in the streets of Istanbul, she exposes the psychological map of the society, as realized in Two Partridges and Bad tempered Sweet Woman If the Modernism of 20th century peripheral art scenes were registered in its time, Zeid would be mentioned as an early abstract expressionist, in comparison to Jackson Pollock and his circle.

Beral Madra Curator, art critic, based in Istanbul.

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1. In these paintings Prostitutes can observe the juxtaposition of traditional and post-modern narrative element that determines the intuitive thinking of the general public.
2. In the exhibition the viewer is invited to discover this venture and quest of women artist by walking from the present to the past.
3. Duben has also tackled the East-West dichotomy in s art making in Turkey and produced a series entitled Register and Tracesin which she used Source patterns and simple repetitive figures — evidently self-portraits- floating into each other but never fusing on the surface of the painting.
4. With this documentation Azeri not only evoked awareness Gediz the tragic knock-on effects of Turkish cinema industry that has defined and determined the dreams of many generations, but also Gediz ever growing poverty of marginalized groups within the neo-liberal economy that designates the human being as consumer and discards the ones that cannot consume.
5. Views Read Edit View history.
6. Apella Ephor Gerousia.

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